Back for a third and final year after sell-out runs and international acclaim, the multi award-winning bum flare play tells the story of ardent football fan Billy Kinley, who sticks a flare up his bum at Euro 2020 and goes viral. What follows is a funny, raw and honest look at identity, loyalty and belonging. Winner of Best Theatre Show at Adelaide Fringe 2025, this show has been a hit worldwide. Bold, sharp and unforgettable. Final Edinburgh Fringe run. One flare. One man. One bum... One story. Don't miss it!

Sophie has a choice: surgically remove her one remaining eye containing a tumour, or risk eye cancer. Again. No brainer, right? But her parents have done everything to save this one eye in the hope she might see again. Can she do what she wants this time? ‘I Dream In Colour’ is a semi-autobiographical one-woman show from Jasmine Thien; a fully blind writer, poet and comedian. It explores how we experience the intersections between disability, race, gender when we straddle the margins of multiple minority groups. Weaving storytelling, comedy and spoken word, it seeks to ask the question: how do we navigate a world that reminds us every day we should not even exist? Shortlisted for the Charlie Hartill Award 2025. Written & Performed by Jasmine Thien Directed by Max Percy (Baklâ)  Produced by The Project People

God won't give up on Cecilia Gentili. Unfortunately, neither will the devil. Follow a young trans girl as she navigates the hilarity of rural Argentina during the 1900s. Part stand-up, part camp and (almost) all true, Red Ink is an irreverent romp in searching for faith while trans. Presented by Elliot Page and PAGEBOY Productions, Sara Ramirez, Breaking the Binary Theatre, Queer Arts Coalition and Nic Cory, Red Ink is the late writer, activist and icon Cecilia Gentili's autobiographical work. The play's off-Broadway 2024 premiere received a Special Recognition GLAAD Media Award.

Today is Sutton's wedding day. Dana has been invited, but Dan will be in attendance. Dan who was once Dana. Beloved by audiences and critics alike, ALTAR is a tender and fervent exploration of growing up and into queerness, or away from it. Em Tambree's striking debut has been described by critics as 'a rallying cry' (RyanHamilton.work), and 'a play that necessitates the existence of theatre itself' (PraiseDionysus, podcast). The sold-out Australian premiere was featured for Best Theatre of 2024 (Keith Gow) and 2024 Playwright to Watch (Guy Webster). ALTAR was commissioned by Midsumma Festival and developed with the generous support of Abbotsford Convent. Say "I do" & RSVP to ALTAR's international premiere this summer at Underbelly.

Dysfunctional sisters Sara and Saskia are forced to confront the unpredictable stages of grief. Sara is living in denial, and Saskia is determined to celebrate the anniversary of their mother’s death with her quirky partner Mark and a party to die for. But when a jaw-dropping secret is revealed, things go from bad, to worse, to catastrophic.  Hailed as a comedy echoing the best episodes of Only Fools and Horses, and sisterhood likened to BBC's Fleabag, Lace-Evans' smash-hit dark comedy returns to Fringe. Listed within the 'Top 100 Trending Shows of the Edinburgh Fringe 2024', Yes, We're Related is 'going to be "a thing"' (City AM).  Awarded the Keep It Fringe Fund, and developed by SOHO Theatre Labs, YES, WE’RE RELATED became an immediate hit later going on to enjoy a sell-out London run at The Other Palace.   

The dark and ugly sister to the movie Black Swan. A chain-smoking, half-swan, half-ballerina turns the tragic story of Swan Lake into a dark and raunchy rom com. And who knows... you may even get to open her box. Could you be the hero that helps her escape this living hell?! Adelaide Fringe Best Theatre and Physical Theatre Weekly Award 2025. Edmonton Fringe Holdover Award 2024. Performed and created by Canadian treasure Lauren Brady. Directed by Nicole Maloney. Coached by Karen Hines.

It's 1985. I'm dressed as Peter Pan. All I have to worry about is remembering my Nan's landline number. Award-winning performer Neil Frost brings old photos taken in front of his Nan's kitchen door to life, unravelling the stories behind them with masterful silliness. A nostalgic, poignant comedy about living with your grandparents in 80's Britain, childhood dreams and the power of fancy dress. Direction – Lucy Hopkins and Dan Lees. Producing consultants – The Project People.

Bar-L is Glasgow's hottest attraction – an immersive prison themed bar. With business thriving, co-owners Martin and James are expanding into an adult-only soft play. They've got the vision and, hopefully, the backing of a potential investor. But as the meeting unfolds, tensions rise and the cracks in their partnership begin to show. Can their friendship survive the business world, or will their dream collapse like a poorly built ball pit? Fast-paced and razor sharp, Jack Byrne's solo-writing debut sheds light on toxic masculinity in working class Glasgow with both humour and heart.

A drug-addled actor finds himself locked up in Del Valle – a Texas state prison – where the junior Grand Dragon of the Aryan Brotherhood recognizes him from his appearances on All My Children and offers him protection in exchange for acting lessons... A journey of survival, sobriety, and the power of art. You couldn't make this shit up if you tried. Del Valle: A Tale of Sex, Drugs, Rock and Roll... and Redemption. Performed and written by Ned Van Zandt. Directed by Amir Arison. 

This sexy, camp, pop-filled tragicomedy unpacks aspirations of becoming a singer while growing up where it is forbidden for women to sing. Already a bottle of red in, Sara reminisces about her experiences from childhood to womanhood. Tehran, the school bus parties, the wannabe prayer-caller and the secret w**ks at the all-girls' school. Did I get used to repression or is music my way of fighting? How does a woman who has experienced firsthand repression of her body and voice react as her child struggles with their own gender identity?